1. An interview with Karajan at 80 | Gramophone
1 jan 2015 · An interview with Karajan at 80. Gramophone Thursday, January 1, 2015. Richard Osborne talks to Herbert von Karajan (Gramophone, April 1988).
Richard Osborne talks to Herbert von Karajan (Gramophone, April 1988)
2. Word With Herbert von Karajan - 1974 - Past Daily Talking Music.
15 jan 2023 · This interview, conducted by Caspar Citron, takes place in New York during the Berlin Philharmonic's 1974 tour and participation in a series of broadcasts ...
Word With Herbert von Karajan - 1974 - Past Daily Talking Music. - Caspar Citron - November 26, 1974 - Gordon Skene Music Collection
3. Herbert von Karajan: godlike conductor and Nazi Party member
The career, the controversy and the achievements of Karajan still intrigue fans and detractors like no other conductor.
The career, the controversy and the achievements of Karajan still intrigue fans and detractors like no other conductor
4. Karajan – A profile and an interview by Richard Osborne ... - Gramophone
14 mrt 2012 · Karajan – A profile and an interview by Richard Osborne (Gramophone, April 1978). Wednesday, March 14, 2012. Herbert von Karajan (Sipa Press ...
ProfileSalzburg: Whitsuntide 1977. Before a rehearsal in Salzburg’s Grosses Festspielhaus the Berlin Philharmonic is like a large and boisterous family – everyone banging, blowing, laughing, talking, tuning. Karajan enters, a black sweater swung over his shoulder, and a trail of functionaries slipping quietly into the wings. A word or two to one of the front desk musicians, a single gesture, and suddenly Ein Heldenleben begins to unfold – the whole work, with only one brief pause for a minor adjustment, played glowingly, through. Karajan cherishes the fact that his orchestra loves what it does; what’s more, he believes that this depth of commitment, this joy in music-making, must radiate deep into a society in which men and women are often less fortunate, working to routines which restrict, inhibit and dehumanize. Thus the Heldenleben party. But when a young violinist, a girl barely into her teens, comes on stage to rehearse the first movement of a Mozart Violin Concerto, Karajan gets down from his high stool, the orchestra re-groups, and for ten minutes the music-making is active, intense, full of a new kind of vibrance. The girl, Anne-Sophie Mutter, prolongs the trill out of the cadenza, which makes even Karajan smile; though no one, not even a high-spirited teenager, will ever throw a Karajan accompaniment. Limpet-like he stays with the soloist, whilst his incomparable woodwinds ride the awkward camber with zest and high good humour.
5. Anne-Sophie Mutter on Herbert von Karajan and John Williams | Focus
20 mrt 2020 · Anne-Sophie Mutter talks to Charlotte Smith about her very different, and yet in some ways remarkably similar, collaborations with conductor Herbert von ...
Anne-Sophie Mutter talks to Charlotte Smith about her very different, and yet in some ways remarkably similar, collaborations with conductor Herbert von Karajan and composer John Williams
6. Apple's New Classical Music App Is a Ton of Fun - GQ
29 mrt 2023 · Most importantly for Apple, I have been endlessly frustrated with how the big streaming platforms (Spotify, in my case) handle classical music.
It’s an exciting moment for classical music, and Apple’s new dedicated music streaming app is the perfect way to experience it.
7. Former Berlin Phil concertmaster Thomas Brandis on working with ...
13 dec 2015 · On Herbert von KarajanI learnt so much from him. He was fantastic on dynamics and that's what I try to teach my students. I also discovered how ...
'I had to learn to play a little late or I would have been playing solo,' says the violinist, who served as Berlin Philharmonic concertmaster from 1962 to 1983
8. Legende Herbert von Karajan - Classics To Go
Bevat niet: gq | Resultaten tonen met:gq
Dirigent Herbert von Karajan schaafde eindeloos aan klank en aan zijn eigen beeld: het imago van een magiër die mysterieuze krachten naar zijn hand zet. ‘Want het orkest’, zei hij, ‘is nu eenmaal een groot geheim.’ Een immense box met driehonderddertig cd’s en ruim twintig dvd’s toont de machtige greep die hij op de muziekwereld had.
